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The Godswood is an ongoing body of work exploring the emotional and spiritual weight of the forest as both sanctuary and mirror. Through vivid, intuitive portraits and abstracted natural forms, these paintings channel the ancient, the mythic, and the personal. Drawing on folklore, memory, and the wild intelligence of trees, the work speaks to the quiet violence and profound tenderness found in solitude, connection, and the natural world.
DUM SPIRO SPERO ("While I breathe, I hope") is a culmination of my undergraduate work at Kalamazoo College, merging painting and poetry into a single, interdependent language. This body of work explores themes of survival, girlhood, grief, and creative resilience through intuitive, face-based paintings paired with raw, confessional writing. Each piece is a record of becoming—unpolished, emotional, and alive—insisting that the act of creation itself is a form of hope.
This body of 3D work engages with found animal bones as both material and metaphor, artifacts of death transformed into objects of reverence. By assembling these remains into sculptural forms, the work meditates on cycles of decay, memory, and meaning-making. Rooted in respect for the natural world and a deep curiosity about what’s left behind, these pieces blur the line between relic and ritual, inviting viewers to confront impermanence with tenderness.
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